The big band swing era

Other methods of embellishing the form include modulations and cadential extensions. The rhythm sections of Ellington, Basie, and Lunceford, for example, sounded nothing alike. Toward the end of the twenties the two-beat styles seemed all but exhausted.

With the exception of Jelly Roll Mortonwho continued playing in the New Orleans style, bandleaders paid attention to the demand for dance music and created their own big bands.

This intermingling of sections became a defining characteristic of big bands. By the end of the war, swing was giving way to less danceable music, such as bebop. Each iteration, or chorus, commonly follows twelve bar blues form or thirty-two-bar AABA song form.

As each piece headed toward its climax, the band erupted in an ecstatic wail. His genius for rhythmic swing and melodic simplicity was so The big band swing era that his music became the standard for numerous swing arrangers.

They danced to recordings and the radio and attended live concerts. An exception is Duke Ellington, who at one time used six trumpets. Western swing musicians also formed popular big bands during the same period.

The piano-guitar-bass-drums rhythm section had become standard and kept a steady and uncluttered beat that was very easy to follow. Coleman Hawkins and Benny Carter broke the barrier to early acceptance of the saxophone as a jazz instrument but it was the style of Frankie Trumbauer on C melody sax, showcased in the recordings he did with Bix Beiderbecke inthat laid the groundwork for the style of saxophone playing that would make it a dominant influence on soloing styles.

By the s, it had evolved into a thoroughly up-to-date dance tune, with a faster tempo to match the tastes of the dancers. This development may take the form of improvised solos, written soli sections, and " shout choruses ".

Younger musicians like Dizzy Gillespie and Charlie Parker, chafing against its more restrictive commercial aspects, began making a more harmonically challenging music that the press dubbed "bebop. During the next decades, ballrooms filled with people doing the jitterbug and Lindy Hop. John Hammond dominated the jazz community as a critic and promoter in the s and 40s.

In the s and sixties, African Americans were able to overturn legal segregation and the denial of voting rights. Many of the better known bands reflected the individuality of the bandleader, the lead arranger, and the personnel.

Chicago musicians migrating to Harlem brought their rhythmic ideas with them. Army Air Forces during World War II, led a piece military band that specialized in Swing music White teenagers and young adults were the principal fans of the Big Bands in the late s and early s.

Rhythm sections[ edit ] In Maythe No. Many musicians served in the military and toured with USO troupes at the front, with Glenn Miller losing his life while traveling between shows. The Original Dixieland Jazz Band, and all-white group, gave the music its name in the popular markets.

As is so often the case in jazz, there are confusing exceptions to this general outline.The Big Band Era – The Swing Era. The Big Band era is generally regarded as having occurred between and It was the only time in American musical history that the popularity of jazz eclipsed all other forms of music.

For many students of American music, "big band" swing represents a pinnacle of American musical form, combining harmonic sophistication, improvisational brilliance, and danceable accessibility.

The Big Band Era: 18 Greatest Hits

Others have criticized swing as overly commercial, regimented, and mechanical. Swing Migration Benny Goodman sparked the beginning of the big band era on August 21, at the Palomar Ballroom in Hollywood, CA Byevery city outside of the Deep South with a population of more than 60, blacks had produced an important band.

Find album reviews, stream songs, credits and award information for The Big Band Era: 18 Greatest Hits - Various Artists on AllMusic - /5. The swing era (also frequently referred to as the "big band era") was the period of time (–) when big band swing music was the most popular music in the United States.

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The big band swing era
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